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When St. Francis moved to Remsen Street in the 1960s, they kept one of these buildings. Continuing pressure for commercial space here, combined with new popular residential locations farther out in what was now a borough of New York City, tipped the block to almost wholly commercial over the course of a few decades. When Pierrepont died in 1838, his children inherited wide swaths of the family’s Brooklyn Heights land.
This Quiz Will Tell You Which US State You Should Live In, And Exactly What Your Dream House Looks Like
Though it might’ve been successful marketing, Mattel’s pink dousing would later be criticized for perpetuating gender stereotypes. Mirroring the growing popularity of prefabricated construction, Barbie’s A-frame house was modular — children could deconstruct it by pulling the sections apart. As the 1970s ended, Barbie — and many Americans — gave up the metropolitan lifestyle and moved out to the suburbs with a prototypical A-frame home. To impress men, Ms. Brown instructed women on having a “wall of pictures,” a “sexy kitchen” and plenty of books — features found in Barbie’s townhouse.
Experiences
While listening in on their daily rehearsals, Zazeela made the drawings that would eventually become the constantly-transforming calligraphic projection Abstract #1 from Quadrilateral Phase Angle Traversals. Just Charles has been made possible with generous support from Peter Freeman, Inc., Lostand Foundation, and the Aaron Copland Fund for Music. Young and Zazeela's original, collaborative work involves Zazeela's visuals coupled with what Lentjes calls "the drone" -- not the flying vehicle, but rather a minimalist musical genre. Intricate, looped harmonies created by Young are projected through the converted apartment. The placement and mix of the tones create something called a "psychoacoustic phenomenon" or, as a sound engineer friend of mine put it, "weird ghost sounds." What you can hear in the music changes based on whether you're standing up, lying down, in the back, or in the front of the room. The work is meant to immerse the viewer and listener in a complete sensory environment, to trigger a subconscious awareness via physical immersion in purple light and and deep tones.
A new immersive experience will let you tour Barbie's iconic 'Malibu Dreamhouse.'
Now she’s hitting the big screen in the “Barbie” movie, reportedly made for $100 million. Production designer Sarah Greenwood and set decorator Katie Spencer aimed to create an “idealized version of Palm Springs,” Ms. Greenwood said.. In an interview, Kim Culmone, Mattel’s head of design for Barbie, said that apart from wheelchair accessibility, the Dreamhouse doesn’t reflect those identities. “The size of the average American house rose from about 1,500 square feet in 1970 to more than 2,300 square feet in 2001, with a particularly big growth spurt” in the late 1990s, The Times reported. Barbie’s signature pink began increasingly popping up in the 1970s, part of Mattel’s effort to brand toys to stand out from competitors, said Mr. Burrichter.
Studies in The Bowed Disc: Live Performance Series
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He named one of the streets after himself but gussied up the spelling from “Pierpont” to “Pierrepont” for added cachet, later doing the same thing with his own family surname. “It’s really hard to bottle up sound and light and sell it to rich people so they can put it on a wall, or in their yacht, or whatever it is they do with art these days,” Pugh said in front of the door on a recent Friday afternoon. He said he's seen people spend more than two hours in the Dream House — and people who turn right around and leave.
Lititz Historical Foundation
Unlike zoning which can be adopted or rescinded by a legislative body, private covenants are “very, very hard” to remove, he said. Pierrepont and his heirs’ restrictions were largely intended to establish residential living. Not much more than a generation after the original developers had enforced their intended vision of neighborhood character, Brooklyn boomed. The signs, which can be found on street posts throughout Brooklyn Heights, celebrate Pierrepont, “a transplanted New Englander,” as important to the history of the neighborhood. Bill Bosch at Pillsbury, a lawyer for Rockrose, told the court that Alexico knew about the eight-foot setback restriction even before signing the purchase agreement with St. Francis College. Society has held up “this promise of homeownership as part and parcel of the American dream,” for centuries, said Ms. Castro.
They Had $350000 and a Dream to Live Together. Could They Make It in Manhattan? (Published 2023) - The New York Times
They Had $350000 and a Dream to Live Together. Could They Make It in Manhattan? (Published .
Posted: Thu, 06 Apr 2023 07:00:00 GMT [source]
Catch up on the most important headlines with a roundup of essential NYC stories, delivered to your inbox daily. “The Dream House is one of my greatest inventions,” said Young, who maintains that his work can only be truly experienced over long periods of listening and repeated visits. First conceived in the early 1960s by La Monte Young — the giant of minimal music who inspired Brian Eno and John Cale and was in a band with Andy Warhol and Jasper Johns — the original iteration was built above his loft on Church Street in 1966. I take a final look around the buzzing, purple room and exit "Dream House" into the bright afternoon sunlight.
Most of the people who enter the space, about 10 in all, seem to intuitively orient themselves towards the blue lights. "Dream House" has essentially remained the same for the last 23 years. But through October 8th, the space is hosting a rare temporary exhibition, an installation called "Ahata Anahata, Manifest Unmanifest X" by an artist and longtime mentee of Young and Zazeela's, Jung Hee Choi. Choi is perhaps Young and Zazeela's most committed student and an heir to their minimalist legacy. For the exhibition, Choi filled the space with strange visuals -- a video of swirling blue dots, a projection that looks like dancing smoke -- and wrote an accompanying sound piece based on an algebraic sum of sound frequencies (Choi calls them her "Tonecycles"). It's heady stuff, but the immersive sounds, smells, and light of the mystical-feeling space make it easy to forget the technical complexities.
From the beginning, much of Barbie’s existence — her unrealistic physical proportions, the lack of racially diverse dolls, the toy’s reinforcing of gender roles — has been debated in jest and in seriousness. But her home, which has not been as publicly parsed or praised like the doll, has been a mirror for the various social, political and economic changes the rest of the country was experiencing. It has followed housing patterns and trends, from chic, compact urban living to suburban sprawl to pure excess. At times, it has been out of step, ignoring the country’s ills (Barbie’s never been broke; she has never lost her house to foreclosure). A select group of the maison’s artisans — including a fine arts painter and a specialist in malletage (the crisscrossed padded lining of the trunks) — will be present on different dates to demonstrate their techniques. They will also meet one-on-one with clients who wish to personalize their goods or commission bespoke pieces.
On one visit, I met a jazz player who comes nightly to the Dream House after work. On another late night occasion I saw couples visiting after their dinner dates. The Dream House is many things to many people, but for all it provides a moment of transcendence, transporting all who come to a state of mind far beyond the New York streets. A visit to the Dream House is highly recommended for those who wish to engage the often overlooked sense of hearing.
Downtown Brooklyn’s retail, commercial and financial hub exploded, right at the doorstep of Remsen Street. When you see this row of townhouses, all in a line set back from the street, the front courtyard is not just for aesthetics — it’s often required. Other Brooklyn Heights developers followed the Pierrepont family’s lead by establishing restrictive covenants on their land sales, too. Henry led his fellow heirs in establishing restrictive covenants for all of their inherited property. Pierrepont expanded on the period’s customary land use restrictions by also adding required types, materials, and sizes for buildings, and lot geometry minimums — concepts which are familiar from today’s zoning. Specifically, it’s the part of the sidewalk to the right of the person in the brown coat.
But the couple’s ideal version of “Dream House” operated from 1979 to 1985 in an old mercantile exchange building on Harrison Street in TriBeCa, where with the support of the Dia Art Foundation they installed an array of ambitious sound-and-light environments on six floors. His restrictive covenants would block a buyer who couldn’t afford a large house or top-line construction. And the restrictions would block houses from being built right up to the property line — he wouldn’t just tout the appearance of country living through widely spaced houses, he’d lock it into the lot requirements. So how does a nonprofit, donation-based space stay afloat and pay rent in pricey TriBeCa? "Dream House" is run by La Monte Young's MELA Foundation and supported by Dia Art Foundation, among others (the visuals and music that make up Dream House were exhibited by Dia in a different space, in Chelsea, in 2015).
Designed to make women feel comfortable in a bar setting, they were filled with homey, domestic décor. Premarital sex became less stigmatized and a singles culture began to rise with the arrival of the sexual revolution, the F.D.A.’s approval of the birth control pill and the women’s movement. Ms. Brown’s book served as a guide for women looking to fulfill their newfound sexual freedom. Now, Ms. Dalsing lives in Saint Joseph, Mo., in what she called her own dream house. “We got to pick everything out and give our daughters a nice, shiny, new home.” It’s also a ranch home, just like Barbie’s.
The space is soft pink, neon purple, and incredibly loud; you hear the music with your body as much as with your ears. Giant speaker cabinets surround the small room, which is lined with wall-to-wall carpeting and has pillows strewn about the floor. Lounging is encouraged, as Young’s work deliberately invites visitors to slow down and experience the present.
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